Madonna burst onto the music scene in the early Nineteen Eighties and rose to worldwide stardom with hit songs together with “Material Girl,” “Like a Virgin,” and “Vogue.” When she was forged as former Argentinian First Woman Eva Perón in the film musical Evita, it was a new problem for Madonna that she was frequently stunned by.
Madonna took appearing in ‘Evita’ very critically
When Andrew Lloyd Webber’s hit stage musical Evita was first being conceptualized as a film, actors together with Michelle Pfeiffer, Meryl Streep, and Glenn Shut have been being thought of to play Perón. However Madonna was captivated with telling Perón’s story, and ended up writing a heartfelt letter to the movie’s director, Alan Parker.
After she received the position, Madonna was dedicated to stepping into character. She took tango classes and started immersing herself in Argentine tradition. She even wore brown contact lenses and had a bridge placed on her tooth to cover her iconic tooth hole.
Madonna felt Eva Perón’s spirit whereas singing ‘Don’t Cry For Me, Argentina’
Madonna chronicled her emotions all through the method in a diary. Her diary entries have been later printed by Vainness Truthful in November 1996, one month earlier than the film’s launch.
In a single entry, she recounted filming the film’s most iconic scene: when Perón greets her adoring followers from the balcony of the presidential palace and sings “Don’t Cry For Me, Argentina.”
“Last night was like a dream and yet it happened so easily and effortlessly I have to keep pinching myself to make sure that I haven’t imagined it. Last night I walked out on the balcony of the Casa Rosada in front of thousands of people and sang ‘Don’t Cry for Me, Argentina,’” Madonna wrote.
“In the exact place she had stood so many times before, I raised my arms and looked into the hungry eyes of humanity, and at that moment I felt her enter my body like a heat missile, starting with my feet, traveling up my spine, and flying out my fingertips, into the air, out to the people, and back up to heaven,” she continued.
“Afterward I could not speak and I was so happy. But I felt a great sadness too. Because she is haunting me. She is pushing me to feel things.”
Madonna fought to movie ‘Don’t Cry For Me, Argentina’ on the well-known Casa Rosada balcony
While filming on the enduring balcony of the Casa Rosada was a dream come true for Madonna, it was one thing that just about didn’t occur. When she was in Argentina, Madonna met with the president on the time, Carlos Menem. The movie crew had been forbidden from filming scenes of the film — particularly, “Don’t Cry For Me, Argentina” — on the Casa Rosada.
She recounted a dialog the place she appeared to alter his thoughts.
“We started to talk about reincarnation and God and psychic phenomena and he said he believed in the power of magic,” she continued. “He said one always has to have faith in the things that cannot be explained. Like God. And I thought of a line in The Alchemist that goes something like, ‘If you want something bad enough the whole earth conspires to help you get it.’ And I took a deep breath and said, ‘Yes, that’s why I believe that you will change your mind and allow us to film on the balcony of the Casa Rosada.’”
“The whole table went quiet and he looked at me for a moment and said, ‘Anything is possible,’” she remembered. “My heart was in my shoe.”