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Madonna Convinced the President of Argentina to Film ‘Evita’ At the Presidential Palace

Madonna was a worldwide celebrity by the mid-Nineties, with a number of hit songs to her identify. In the mid-’90s, she started the transformation right into a famend actor together with her position in the film musical Evita.

Madonna in Evita | Getty Pictures

Madonna starred in ‘Evita’ as Eva Perón

Evita, initially a stage musical written by prolific stage author Andrew Lloyd Webber, relies on the life story of Eva “Evita” Perón, former First Girl of Argentina. Evita was beloved by Argentinians all through her life, and Madonna was thrilled to give you the option to play her.

However she wasn’t the first one to be thought-about for the position; Michelle Pfeiffer, Meryl Streep, and Glenn Shut had been all being thought-about to play the iconic first girl. However Madonna was so captivated with Evita’s story that she reached out to the movie’s director, Alan Parker, herself.

She saved a diary of her experiences all through the course of, which had been printed in Vanity Fair in November 1996, one month earlier than the film’s launch.

“I remember sitting down during Christmas of ’94 and writing an impassioned letter to the director, Alan Parker, listing the reasons why I was the only one who could portray her, explaining that only I could understand her passion and her pain,” she wrote. “I can honestly say that I did not write this letter of my own free will. It was as if some other force drove my hand across the page.”

Madonna | Dave Hogan/Getty Pictures

Madonna requested the Argentinian President to movie ‘Evita’ at the Casa Rosada

When she was in Argentina, Madonna had the alternative to meet with the president at the time, Carlos Menem. She was dissatisfied as a result of the movie crew had been forbidden from filming scenes of the film — particularly, the showstopper tune, “Don’t Cry For Me, Argentina,” — at the Casa Rosada, the President’s official workplace. In Evita, the First Girl famously sings the tune from the balcony of the palace, overlooking a crowd.

“I caught Menem looking at my bra strap, which was showing ever so slightly,” she recalled when coping with Menem. “He continued doing this throughout the evening with his piercing eyes, and when I caught him staring, his eyes stayed with mine.”

“We started to talk about reincarnation and God and psychic phenomena and he said he believed in the power of magic,” she continued. “He said one always has to have faith in the things that cannot be explained. Like God. And I thought of a line in The Alchemist that goes something like, ‘If you want something bad enough the whole earth conspires to help you get it.’ And I took a deep breath and said, ‘Yes, that’s why I believe that you will change your mind and allow us to film on the balcony of the Casa Rosada.’”

“The whole table went quiet and he looked at me for a moment and said, ‘Anything is possible,’” she remembered. “My heart was in my shoe.”

Madonna performs at throughout her “Sticky and Sweet” world tour at Olympic Stadium on September 6, 2008 in Rome, Italy | Elisabetta Villa/Getty Pictures

Madonna was not Argentinians’ alternative to play Perón

Though Madonna was lauded for her efficiency in the film, some Argentinians weren’t completely satisfied about an American pop star bringing their beloved Evita to life on display. Madonna appeared again on her less-than-warm reception (to put it mildly) reception in Buenos Aires.

“On the drive from the airport I twice saw graffiti painted on the walls that said, EVITA LIVES, GET OUT, MADONNA. How’s that for a welcome?” she wrote in her diary. “I have also read in the local newspapers that Alan Parker, Antonio Banderas, who plays Che, and myself have been declared personae non gratae, which is a nice way of saying we are dirty rotten scum.”

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