George Harrison on Why The Beatles Didn’t Like Working With Other People

Article Highlights:

  • The Beatles most popular working alone, mentioned George Harrison
  • Why the band didn’t like working with document firms
  • Why the band didn’t like working with different individuals on movies
The Beatles | John Downing/Getty Photos

All through their time collectively as a band, The Beatles grew leaps and bounds creatively. They weren’t the identical artists in 1970 as they had been once they skilled their first hit in 1962. As John Lennon, Paul McCartney, George Harrison, and Ringo Starr experimented creatively, they discovered it more and more troublesome to work with others. In an interview in 1967, Harrison mentioned, as quickly as different individuals become involved, The Beatles’ imaginative and prescient at all times appeared to get mucked up.

The Beatles didn’t recognize their artistic visions being edited

Harrison instructed Melody Maker that he, Lennon, McCartney, and Starr usually bought annoyed when working with different individuals. The band most popular to make all of the artistic selections for all of their initiatives.

“We’ve got to the point now where we’ve found out that if you rely on other people, things never work out,” he mentioned, as recorded within the e-book George Harrison on George Harrison. “This may sound conceited but it’s not. It’s just what happens. The things that we’ve decided ourselves and that we’ve gone ahead and done ourselves have always worked out right—or at least satisfactorily—whereas the moment you get involved with other people, it goes wrong.”

On working with document firms

In 1967, following the dying of their supervisor, Brian Epstein, The Beatles based Apple Corps as an umbrella firm for all their artistic initiatives. In 1968, after the band’s well-known journey to India, they based Apple Data in London. However earlier than that, Lennon, McCartney, Harrison, and Starr knew all in regards to the annoyances of working with a document firm.

“It’s like a record company,” mentioned Harrison. “You hand them the whole LP and the sleeve and everything there on a plate. All they’ve got to do is print it. Then all the crap starts: ‘you can’t have that’ and ‘you don’t do this’ and we get so involved with trivial little things that it all starts deteriorating around us.”

The Beatles needed complete artistic management over their movies as nicely

The band felt the identical method they did about their music as they did about their movie initiatives.

“The more involved we get with film people the less of a Beatles film it’s going to be,” mentioned Harrison. “Take that Our World television show. We were trying to make it into a recording session and a good time and the BBC were trying to make it into a television show. It’s a constant struggle to get ourselves across through all these other people, all hassling.”

On the level of the Melody Maker interview in 1967, The Beatles had been starting to consider making a movie that that they had complete artistic management over — visible, sound, and music.

“In the end it’ll be best if we write the music, write the visual and the script, film it, edit it, do everything ourselves,” mentioned Harrison.

On the similar time, the guitar participant knew how daunting that work can be.

“But then it’s such a hell of a job that you have to get involved and that means you couldn’t do other things,” he mentioned.

Ah the struggles of a artistic genius.



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