Dune is a visible marvel. However there’s one shot, particularly, that director Denis Villeneuve loves probably the most. It’s pretty early on within the sci-fi movie, nevertheless it’s probably the most iconic scenes from Frank Herbert’s 1965 novel Villeneuve grew up adoring. In a latest interview, Villeneuve broke down Dune‘s Gom Jabbar scene shot by shot. And in it, he revealed the inspiration and strategies behind every second in addition to his favourite shot.
‘Dune’ Gom Jabbar scene is one in all Denis Villeneuve’s favorites
Throughout his press tour, Villeneuve has expressed his love for the Gom Jabbar scene, aka the Dune ache field scene. The French Canadian director mentioned in a number of interviews he was notably pleased with how this scene turned out. Set in a library on Caladan, ancestral residence of Home Atreides, Timothée Chalamet’s Paul Atreides meets the Reverend Mom of the Bene Gesserit, performed by Charlotte Rampling. His mom, Woman Jessica (Rebecca Ferguson), can be a Bene Gesserit and is terrified her son will die on this take a look at. In spite of everything, these are the stakes: you both cross the take a look at, otherwise you die.
To cross the Gom Jabbar take a look at, Paul needed to place his hand contained in the ache field and resist his urge to finish the struggling. If he eliminated his hand from the field earlier than the take a look at was full, the Reverend Mom would prick him with the Gom Jabbar — a poisoned needle promising on the spot dying — she held as much as his neck. The scene is chilling and high-stakes. Villeneuve instructed BBC Radio 1 the aesthetic of the scene is a degree of delight for him.
“The atmosphere, the tension, and the color palette — that’s one of the scenes that I will say is very close to my original dream when I was a kid when I read the book,” he mentioned. “And I remember having shivers directing it.”
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Denis Villeneuve’s favourite shot is within the Gom Jabbar scene
Villeneuve loves this scene general and feels it’s one of many movie’s most necessary. And his favourite shot from Dune can be in it: the second when Paul places his hand within the ache field.
Exterior wanting in, the ache field seems to be empty inside. But it surely doesn’t take lengthy for Paul to begin feeling the immense ache the field causes. In a video breaking down the Gom Jabbar scene for Vanity Fair, Villeneuve mentioned he wished the ache field to look as near Herbert’s description of it as doable. He mentioned:
“The box: one of the very iconic objects. I said to my team, ‘It’s not an expression of our take on the book. I want Frank Herbert to be on the screen. We basically went with the description that was in the book, bringing it feeling of something ancient, something dangerous that cast shadows inside. For me, I didn’t want to use any visual effects for this scene. I really wanted it to be a mental scene, meaning that it will be a scene that will rely into the acting of the actors. And that the actors will express their inner pain without having the help of any visual effects.”
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The ache field scene exhibits what ‘Dune’ is all about
Villeneuve defined how the Reverend Mom’s presence — from her clothes to her stature to the “feeling of oppression” within the library — helped increase the stakes of the scene. And when every thing comes collectively and you see Paul’s hand within the ache field with the Reverend Mom’s hand resting on prime of it, you get the true essence of Dune. Villeneuve mentioned:
“Greg and I had tried to create a feeling of oppression and making sure that the room felt closing on Paul, that there is no way to escape. The Reverend Mother is designed to make sure that she will look like towering over him. The box was designed so it fit exactly. So we will feel that the hand is kind of trapped inside. And honestly, frankly, it’s one of my favorite shots of the movie. Why? Because it’s all there.
You have the power of Charlotte Rampling, the Reverend Mother, towering over Paul. And there will be here a connection, a mental connection where Paul will experience tremendous amount of pain coming from nerve induction, like hypnotism. There’s something kind of a sacred quality to the scene. The science-fiction here is more about the evolution of the human brain. And I think it’s like, this is what Dune is about.”
Villeneuve and his manufacturing workforce’s setup for the Gom Jabbar scene might solely go thus far. The scene wouldn’t be full with out Chalamet and Rampling nailing their performances. The director instructed BBC Radio 1 he began dancing behind the digicam in glee in response to Chalamet’s appearing that day on set. It was the second he knew he had chosen the fitting solid.